VERNIGOSH'S KEYMIX WHEEL (AKA. CIRCLE OF FIFTHS)

Click on any key to hear its tone. Adjacent keys are harmonically compatible.

What is the KeyMix Wheel?

The KeyMix Wheel is an interactive tool designed to help musicians, producers, and DJs find the key of a song using relative pitch.

Inspired by the Circle of Fifths, it displays a full rotation of musical keys in a simple, clickable layout. Each key plays a reference tone, allowing you to match the sound of a song by ear and determine its likely key. This is ideal for people training their ears or working without key detection software.

How to Use the KeyMix Wheel

  1. Listen to your song or loop a short section of it.
  2. Click around the wheel to play different root notes.
  3. When a note sounds like the song's "home base" — the one that feels most stable or resolved — you've likely found the tonal center or key.
  4. If you're unsure between two notes, try humming the root along with the track. Whichever note feels easier to land on or return to is probably correct.
  5. Once you've found the root, you can also explore nearby keys on the wheel to experiment with compatible transitions and chord ideas.

Why Use Relative Pitch?

For DJs, knowing the key of a track is essential for smooth, harmonic mixing — but automated key detection software isn't always accurate. Whether you're using DJ software or hardware, the results can vary from one tool to another.

That's where relative pitch comes in.

This site helps DJs manually confirm a track's key by ear, without needing a piano or music theory background. Just play the song, then use the KeyMix Wheel to match the tone that feels like the root or "home" note. It's a simple way to double-check software results and avoid awkward clashes in your mix.

You don't need to know chords or scales — this tool provides all the tones, laid out visually, so you can match by ear with confidence.

Beyond mixing, training your relative pitch also helps with:

  • Creating mashups or edits in key
  • Reharmonizing vocals or instrumentals
  • Developing your ear for production and live performance

This approach gives you more control and confidence over your transitions, without relying completely on algorithms.

DJ Guide: Using Chord Types for Harmonic Mixing

Single Notes

Perfect for quickly identifying the key of minimal techno, drum & bass, or any track with a prominent bassline. Focus on the sub bass or main synth line — that's often your key. When beatmatching, try mixing tracks where this root note is the same or adjacent on the wheel for smooth transitions.

Triad Chords

The workhorse for harmonic mixing. Listen to the main chord progression in breakdowns or melodic sections. Major triads create uplifting energy, while minor triads build tension or emotion. For energy-building transitions, try mixing from minor to its relative major (same position on opposite rings) during a build-up.

Power Chords

Power chords are made of just two notes: the root and the fifth — no major or minor third. That means they sound bold, clean, and neutral (neither happy nor sad). This simplicity lets them cut through dense mixes without clashing with vocals or synth layers.

Because they don’t define a key as major or minor, they're flexible for DJ transitions and work well in genres like rock, EDM, dubstep, and bass-heavy music. If you hear a track with a gritty, heavy tone — especially around drops — it’s often using power chords.

Sus2 Chords

Sus2 chords replace the third in a triad with a second, creating an open, suspended feel. They're neither major nor minor — just wide and ambiguous — which makes them perfect for atmospheric and spacious sounds.

These chords are common in ambient, trance, and progressive house. If you hear a track that feels “floaty” or unresolved, it’s likely built around sus2 chords. Great for intros, transitions, and blend-friendly sections that don’t lock you into a strong emotional direction.

Sus4 Chords

Sus4 chords also remove the third from a triad, but instead of a second, they add a fourth. This creates a tense, suspended feeling that sounds like it’s about to resolve — which is exactly what makes it powerful in builds.

You’ll hear sus4s in pre-drop sections, intros, and breakdowns. They signal a shift in energy and give you a clear cue to begin transitioning into the next track. Unlike a resolved major/minor chord, sus4s leave the door open for where things go next.

Seventh Chords

The secret weapon for mixing house, disco, and funk tracks. Seventh chords add sophistication and movement by extending a triad with an extra note that creates tension and soul. They’re smooth, jazzy, and often heard in grooves that have swing or groove to them.

In a DJ set, seventh chords can bridge the vibe between club tracks and more soulful or live-instrument-heavy music. Great for genre-blending or transitions into deeper sounds.

Add9 Chords

An add9 chord starts with a standard major or minor triad and adds the ninth note above the root. This extra note creates a lush, emotional color that feels dreamy and uplifting without sounding dissonant or too jazzy.

These chords show up in melodic dubstep, future bass, and emotional breakdowns. If you’re building a set with high-impact moments or want to end on an emotional high, look for tracks with add9s to bring out that extra depth.

Moving Around the Wheel and Energy Shifts

The KeyMix Wheel is based on the same principles as the Circle of Fifths — a system that shows how musical keys relate to each other. These relationships help DJs control the energy of their sets by deciding when to blend smoothly and when to create contrast.

Adjacent Keys: Smooth and Safe

Moving one step clockwise or counterclockwise on the wheel (e.g., from 8A to 7A or 9A) creates smooth, harmonically compatible transitions. These keys share most of the same notes and sound very similar, ideal for maintaining a consistent mood or vibe.

Same Number, Opposite Side: Minor ↔ Major

Keys with the same number but opposite letter (like 8A to 8B) are called relative keys. They use the same notes but have different tonal centers. This creates an emotional shift — from darker to brighter — without breaking harmonic compatibility.

Two Steps Away: Still Harmonically Strong

Moving two steps around the wheel (e.g., 8A to 6A or 10A) still creates strong harmonic relationships. These intervals are similar to musical fourths and fifths — naturally pleasing and perfect for adding gentle motion to your mix.

Three or More Steps: Contrast, Tension, and Dissonance

Jumping across the wheel (e.g., 8A to 11A or 1B) creates bold contrast and can add intensity or drama. These transitions are best used during breakdowns or peak moments.

The further apart the keys are, the fewer common tones they share — increasing the risk of dissonance. Dissonance can be used creatively, but it also makes harmonic clashes more likely if you're not paying attention to tonality.

Creative Use of Key Movement

Every move around the wheel changes the emotional tone of your mix. Close keys keep things cohesive, while distant ones introduce contrast. By planning your route through the wheel, you can shape the story and energy of your entire set.